Royal Academy of Arts (Royal Academy)
The Royal Academy of Arts (RA) is an art institution based in Burlington House on Piccadilly in London. Founded in 1768, it has a unique position as an independent, privately funded institution led by eminent artists and architects. Its purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate.
The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decade later was almost identical to that drawn up by Cheere in 1755.
The success of St Martin's Lane Academy led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Sir William Chambers, a prominent architect and head of the British government's architects' department, the Office of Works, used his connections with King George III to gain royal patronage and financial support for the Academy. The Royal Academy of Arts was founded through a personal act of King George III on 10 December 1768 with a mission "to establish a school or academy of design for the use of students in the arts" with an annual exhibition.
The painter Joshua Reynolds was made its first president, and Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788.
The instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. The founder members were Reynolds, John Baker, George Barret, Francesco Bartolozzi, Giovanni Battista Cipriani, Augustino Carlini, Charles Catton, Mason Chamberlin, William Chambers, Francis Cotes, George Dance, Nathaniel Dance, Thomas Gainsborough, John Gwynn, Francis Hayman, Nathaniel Hone the Elder, Angelica Kauffman, Jeremiah Meyer, George Michael Moser, Mary Moser, Francis Milner Newton, Edward Penny, John Inigo Richards, Paul Sandby, Thomas Sandby, Dominic Serres, Peter Toms, William Tyler, Samuel Wale, Benjamin West, Richard Wilson, Joseph Wilton, Richard Yeo, Francesco Zuccarelli. William Hoare and Johann Zoffany were added to this list by the King in 1769.
The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy's first treasurer. The Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery (designed by another Academician, William Wilkins). These premises soon proved too small to house both institutions. In 1868, 100 years after the Academy's foundation, it moved to Burlington House, Piccadilly, where it remains.
The first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. Following the cessation of a similar annual exhibition at the British Institution, the Academy expanded its exhibition programme to include a temporary annual loan exhibition of Old Masters in 1870.
Britain's first public lectures on art were staged by the Royal Academy, as another way to fulfil its mission. Led by Reynolds, the first president, the first program included a lecture by Dr. William Hunter.
In 2018, the Academy's 250th anniversary, the results of a major refurbishment were unveiled. The project began on 1 January 2008 with the appointment of David Chipperfield Architects. Heritage Lottery Fund support was secured in 2012. On 19 October 2016 the RA's Burlington Gardens site was closed to the public and renovations commenced. Refurbishment work included the restoration of 150 sash windows, glazing upgrades to 52 windows and the installation of two large roof lights. The "New RA" was opened to the public on 19 May 2018. The £56 million development includes new galleries, a lecture theatre, a public project space for students and a bridge linking the Burlington House and Burlington Gardens sites. As part of the process 10,000 works from the RA's collection were digitised and made available online.
The origin of the Royal Academy of Arts lies in an attempt in 1755 by members of the Society for the Encouragement of Arts, Manufactures and Commerce, principally the sculptor Henry Cheere, to found an autonomous academy of arts. Prior to this a number of artists were members of the Society for the Encouragement of Arts, Manufactures and Commerce, including Cheere and William Hogarth, or were involved in small-scale private art academies, such as the St Martin's Lane Academy. Although Cheere's attempt failed, the eventual charter, called an 'Instrument', used to establish the Royal Academy of Arts over a decade later was almost identical to that drawn up by Cheere in 1755.
The success of St Martin's Lane Academy led to the formation of the Society of Artists of Great Britain and the Free Society of Artists. Sir William Chambers, a prominent architect and head of the British government's architects' department, the Office of Works, used his connections with King George III to gain royal patronage and financial support for the Academy. The Royal Academy of Arts was founded through a personal act of King George III on 10 December 1768 with a mission "to establish a school or academy of design for the use of students in the arts" with an annual exhibition.
The painter Joshua Reynolds was made its first president, and Francis Milner Newton was elected the first secretary, a post he held for two decades until his resignation in 1788.
The instrument of foundation, signed by George III on 10 December 1768, named 34 founder members and allowed for a total membership of 40. The founder members were Reynolds, John Baker, George Barret, Francesco Bartolozzi, Giovanni Battista Cipriani, Augustino Carlini, Charles Catton, Mason Chamberlin, William Chambers, Francis Cotes, George Dance, Nathaniel Dance, Thomas Gainsborough, John Gwynn, Francis Hayman, Nathaniel Hone the Elder, Angelica Kauffman, Jeremiah Meyer, George Michael Moser, Mary Moser, Francis Milner Newton, Edward Penny, John Inigo Richards, Paul Sandby, Thomas Sandby, Dominic Serres, Peter Toms, William Tyler, Samuel Wale, Benjamin West, Richard Wilson, Joseph Wilton, Richard Yeo, Francesco Zuccarelli. William Hoare and Johann Zoffany were added to this list by the King in 1769.
The Royal Academy was initially housed in cramped quarters in Pall Mall, although in 1771 it was given temporary accommodation for its library and schools in Old Somerset House, then a royal palace. In 1780 it was installed in purpose-built apartments in the first completed wing of New Somerset House, located in the Strand and designed by Chambers, the Academy's first treasurer. The Academy moved in 1837 to Trafalgar Square, where it occupied the east wing of the recently completed National Gallery (designed by another Academician, William Wilkins). These premises soon proved too small to house both institutions. In 1868, 100 years after the Academy's foundation, it moved to Burlington House, Piccadilly, where it remains.
The first Royal Academy exhibition of contemporary art, open to all artists, opened on 25 April 1769 and ran until 27 May 1769. 136 works of art were shown and this exhibition, now known as the Royal Academy Summer Exhibition, has been staged annually without interruption to the present day. Following the cessation of a similar annual exhibition at the British Institution, the Academy expanded its exhibition programme to include a temporary annual loan exhibition of Old Masters in 1870.
Britain's first public lectures on art were staged by the Royal Academy, as another way to fulfil its mission. Led by Reynolds, the first president, the first program included a lecture by Dr. William Hunter.
In 2018, the Academy's 250th anniversary, the results of a major refurbishment were unveiled. The project began on 1 January 2008 with the appointment of David Chipperfield Architects. Heritage Lottery Fund support was secured in 2012. On 19 October 2016 the RA's Burlington Gardens site was closed to the public and renovations commenced. Refurbishment work included the restoration of 150 sash windows, glazing upgrades to 52 windows and the installation of two large roof lights. The "New RA" was opened to the public on 19 May 2018. The £56 million development includes new galleries, a lecture theatre, a public project space for students and a bridge linking the Burlington House and Burlington Gardens sites. As part of the process 10,000 works from the RA's collection were digitised and made available online.
Map - Royal Academy of Arts (Royal Academy)
Map
Country - United_Kingdom
 |
 |
| Flag of the United Kingdom | |
The United Kingdom has evolved from a series of annexations, unions and separations of constituent countries over several hundred years. The Treaty of Union between the Kingdom of England (which included Wales, annexed in 1542) and the Kingdom of Scotland in 1707 formed the Kingdom of Great Britain. Its union in 1801 with the Kingdom of Ireland created the United Kingdom of Great Britain and Ireland. Most of Ireland seceded from the UK in 1922, leaving the present United Kingdom of Great Britain and Northern Ireland, which formally adopted that name in 1927. The nearby Isle of Man, Guernsey and Jersey are not part of the UK, being Crown Dependencies with the British Government responsible for defence and international representation. There are also 14 British Overseas Territories, the last remnants of the British Empire which, at its height in the 1920s, encompassed almost a quarter of the world's landmass and a third of the world's population, and was the largest empire in history. British influence can be observed in the language, culture and the legal and political systems of many of its former colonies.
Currency / Language
| ISO | Currency | Symbol | Significant figures |
|---|---|---|---|
| GBP | Pound sterling | £ | 2 |
| ISO | Language |
|---|---|
| EN | English language |
| GD | Gaelic language |
| CY | Welsh language |